Ville Niemi 27.06.2021
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To the Reader,
I am writing regarding Jessie Bullivant’s website: jessiebullivant.com which I developed in April 2019. The purpose of this letter is to provide you with professional biographical details. It is (semi-) regularly updated.
Jessie was born in 1986 in (so-called) Australia. They acknowledge the Wiradjuri people as the traditional custodians of the country on which they were born and raised, and pay their respects to their Elders, past, present and future and recognise that sovereignty was never ceded.
Jessie is an artist, writer, and arts worker currently based in Helsinki, Finland. Jessie is currently presenting a new episodic work in the window of Titanik gallery, Turku, over 2021. Updates can be found on instagram @something.is.weathering. They recently launched Access Riders, a project with Jemina Lindholm as part of Rehearsing Hospitalities, Frame Contemporary Art Finland’s public programme for 2019-2023.
They are currently an artist in residence at Helsinki International Artist Programme. In 2020 Jessie was awarded an artists working grant by The Finnish Cultural Foundation, contributed to #StopHatredNow2020 – New Standards, and presented work in the following exhibitions: Fantasy 1&2, curated by Saara Hannus at SIC Gallery in Helsinki; big wet, a site-specific project in a flying-saucer shaped water tower in Espoo (Finland), in collaboration with artists Jani Anders Puhronen, Kristina Sedlerova-Villanen & Emelie Luostarinen; and BIRD FEEDERS (2020) visible online at ofluxo.net.
Recent exhibitions include Reciprocities (2021), an exhibition curated by Christine Langinauer at the Vantaa Art Museum Artsti, (which remained closed to the public for its duration due to COVID-19); WORMHOLE (2019) at KNULP, in Sydney (with special guests Andrey Bogush, Océane Bruel, Flis Holland, Elliot Lundegård, Rowan McNaught & Niko Wearden); Wayfind (2018) curated by Amelia Winata as part of Next Wave Festival, in Melbourne; A thousand times the rolling sun (2018) curated by Gabriel Curtin at the HM Prison Beechworth; Infrastructuralism (2018), curated by Kent Wilson at the Latrobe Art Institute, Bendigo; On Being (2017) curated by Charlotte Cornish at the Honeymoon Suite, Melbourne; Unproductive Thinking (2017) curated by James Lynch at Deakin Art Gallery, Melbourne.
Jessie has also curated several projects, including No, no, no! (after you) (2016) co-curated with Mitchel Cumming at KNULP in Sydney; Bedshed, (2016) at Seventh Gallery; Leisure & Lifestyle (2014) at Incinerator Gallery & Horsham Regional Art Gallery); and Interpreting Variable Arrangements (2013), in collaboration with Isadora Vaughan at Kulturhuset, Stockholm.
Jessie’s writing has been published in un magazine 14.2 (2020), Writing & Concepts 2016: Volume 1 (2018), Art+Australia online (2018), and Koreografisk Journal #6: Dressage (Sweden, 2019). They have delivered lectures at RMIT Design Hub (as part of the series Writing&Concepts curated by Jan Van Schaik) and Deakin Downtown (in conversation with Ian Milliss). They have worked as a lecturer at Aalto University, RMIT University, Latrobe College, and an Artist Mentor at VCASS (all Melbourne).
Jessie has been a finalist in several art prizes, including the Darebin Art Prize (2017), Redlands Konica Minolta Art Prize (2017) and John Fries Award (2016). While they were Highly Commended in the John Fries Award, it should be noted that they have yet to win a prize.
Jessie completed a Master’s of Fine Arts (Time & Space) at the Academy of Fine Arts. Their thesis was awarded by the Kuvataideakatemia Academic Council, and described by examiner Marina Vishmidt as “a fascinatingly reflexive project which is adept at performatively enacting its critical interests in a highly developed conceptual format”. A review of their MFA work by Kaino Wennerstrand can be read on AQNB here. Prior to this, they completed a Bachelor of Fine Art (Honours) at the Victorian College of the Arts (Melbourne) in 2015, and a Bachelor of Fine Arts at RMIT University (Melbourne) in 2011. During their undergraduate studies, they studied for one semester at Parsons: The New School, in New York (2011).
Jessie can be contacted at [email protected]